Ayala's Angel
Kate Field: "There is an American woman, of whom not to speak in a work purporting to [be] a memoir of my own life would be to omit all allusion to one of the chief pleasures which has graced my later years."
In January 2001 we began Ayala's Angel (first published 1880). As I had been
doing for about three years, each week I wrote an essay or essays in the form of postings to
Trollope-l on the chapters we had read for that week. These "facilitating" postings of mine
continued to be close readings of the text whenever I could, with some also simply in response to
others, some on Trollope's sources and attitudes, some on the contemporary scene. I
accompanied these with descriptions and commentary on the illustrations by Robert Greary for
the Folio Society edition of Ayala's Angel. As I had done for Is He
Popenjoy?, I wrote psychoanalytically and from a feminist and political point of view on
Trollope's fiction; I also explored the autobiographical roots of this fiction, specially Trollope's
exploration of the sexually-inadequate male in his fiction and the connection of this novel to his
love for Kate Field. Once again the conversation of the group as a whole more generally slowly
emerges and moves back and forth from other more traditional points of view: character, scenes,
personal impulses when we read. I had on my own read Ayala's Angel in August/September of 1999 and posted
continuously myself at that time; it had also been brought up as a general "charming" favorite
from time to time, and queries brought over from Victoria had been placed on Trollope-l; I thread
in all these earlier postings with the later ones.
Participants included Clarissa Ackroyd, Catherine Crean, Cynthia, Ian Duncan, Sigmund Eisner, Elizabeth, Thilde Fox, Judy Geater, Wayne Gisslen, Jeremy Godfrey, Chris
Graebner, Lisa Guardini, Jean H, Kishor Kale, Kathy, RJ Keefe, Graham Law, John Letts, Paul Lewis, Pat Maroney, Marcella McCarthy, Beth McMillan, Howard Merkin,
Nigel, Rory O'Farrell, Marc Plamondon, Teresa Ransom, Angela Richardson, Lisa Sieberg, Jill Spriggs, Gene Stratton, Todd Yelrom, Joan Wall, Dagny Wilson, Robert Wright, and Maggie Wright.
As to the group calendar, by the time he came to write Ayala's Angel Trollope
had fallen from popularity; he was no longer writing the Barsetshire-type novel and had had
several financial flops. As a result although Trollope wrote Ayala's Angel between
April 25th and September 24th in 1878, he didn't manage to find a publisher for 3 years. The
first volumed edition was by Chapman and Hall and came out in May 1882 -- with no
illustrations. The first serialisation was done in the US; far from being the star of the
Cornhill, Ayala came out 2 chapters a week in the Cincinnati
Commercial between 6 November 1880 and 23 July 1881. Ayala is the only
one of the serialised novels by Trollope which is not included in J. Don Vann's
VictorianNovels in Serial which I had been using as a basis for our calendars. Of
course I could figure out that the book came out in 1-2 chapters by dividing the 64 chapters by
the numbers of weeks. Still I had no documentary evidence for which chapters went with which.
The Folio Society edition which has 16 illustrations provides 1-2 for each 4 chapters, suggested
a reasonable shaping of 4 chapters per instalment. The problem with this is the read would have
taken us 16 weeks, and even if the book is among Trollope's longer 3 volumed books, that's too
long. So I opted for the same average of 6 chapters a week we had been practicing for novels
which were published in well-known English periodical in instalments of 3 chapters a week.
January
- January 6: Introduction:
Introductory and Concise Calendar; The Sublime Ayala; The Romance Names and Names of the
Characters; The Champagne Lady; An E-Text of Ayala's Angel & Online Trollope
- January 14: Chapters 1-
6: Pretty pretty book and Trollope's obsessions; Almost An Angel of Light?; The
Heroine's Name; The first six chapters of AA; Reginald Dosett; A Somewhat
Sombre & Schematic Opening; What is Impoverishment?; Lucy's Self-Restraint; Quirky
Perversities in Psychological Make-Up; Trollope and Austen; How Are We to React to the
Swopping?
- January 21: Chapters 7-12: Maturity;
The "L" Word; In Italy (Again); 'Tame Birds Moved from Cage to Cage as the Owner Pleases';
What Is Impoverishment?
- January 28: Chapters 13-18: The
Whole Idea of an Angel of Light; Down in Scotland; Allusion in Trollope's Ayala's Angel;
Sexual and other Anxieties in Trollope's fiction; Blue China; Scattered Thoughts on Art,
Money & the Thick-Skinned; Aunt Dosett; Reginald Dosett's daily walk; AA as Fairy
Tale; Trollope's interest in art; Cinderella and the Beasts; Frank Houston as Allen-a-Dale; Back
to the Drawing Board; Silences; Art, money and Ayala; Self-Respect, Money & Aunt Dosett;
Money, Power (?), and Thomas Tringle; AA: Allegory and Realism; Jonathan and
Ayala; Victorian against hunting; Numbered Letters in Ayala's Angel and The
American Senator; No Joking Matter.
February
- February 4: Chapters 19-24: Thick-
Skinned People and Ayala's Angel; Fox Hunting; A Hunt Saboteur; A Personal
Materialistic Idyll; Allegory and Realism; More on Mrs. Dosett; Art in Ayala;
Trollope's attitude towards artists; Ayala's Angel and Hard Times;
Condescension, Art, & the Personal & Social in Trollope and Dickens; Ayala as Kate
Field; A Playground for the Imagination; Victorian against hunting; Hunting Scenes in Trollope;
Hunting Scenes in Trollope: Different Frames for the Issue; Hunting: Controversies in Trollope's
Day Connected to Our Own; Ayala and Stubbs on the Train; The Meaning of Wet; Pronouncing
Ayala; Ayala's Angel as a Favorite Novel; A Hero with Red Hair; Sex, Romance and
Money; Ayala, Scott's Waverley and Proust; Five Days and Nights in
West Sussex; Fox-hall.
- February 11: Chapters 25-30:
"Unless I marry I can be nobody"; Imogen: The problem of the educated lady; Lady Mabel Grex;
Ayala and Imogene; On Identifying with Ideas about "Angels of Light"; Ayala as Kate Field, and
her unappreciated angel, AT; Names in Ayala's Angel; Frank Houston and Catherine
Dickens (Was AA: Frank & Imogene); Landscapes; Ayala's Angel and
Northanger Abbey
- February 18: Chapters 31-36: Names
in Ayala's Angel Frank and Imogene; Young Tom Tringle and "the pretty little
trinket"; A Celebration of Philistinism; Pretty Little Trinkets; Jonathan Stubbs; Umberto Eco:
Six Walks in Fictional Woods
- February 25: Chapters 37-42:
Genteel Poverty; A Sense of Dislocation; An Economical Novel; Tom Tringle Redux; In defense
of Ayala's Angel and Sondheim's Into the Woods; Tom and Stubbs
March
- March 4: Chapters 43-49: A Few
Thoughts; Short Office Hours; The Upper Class World & Nubile Girls; A Picture of Pretty People;
The Self, Society and the Book
- March 11: Chapters 50-54:
Ayala's Angel: The Self, Society, and the Book;Ayala's Angel:
Jonathan and Ayala; Ayala's Angel: The Difficulty of Placing It; Ayala's
Angel and Daniel Deronda; Inconsistencies in Trollope's novels &
Ayala's Angel; What was Trollope thinking?; Carrying Several Stories on at Once in
Trollope.
- March 18: Chapters 55-59:
Country Copulatives; Nearing the Ending.
- March 25: Chapters 60-64: In
Which Everyone Got Married and Lived as Best They Could Ever After; A Fairy Tale; Fear and
Predation in Ayala's Angel; Fear in Ayala and
Rain in Virginia.
About the Illustrations by
"'Bacchus might just as well
be broken up and carted away in the dust-
cart'", Ayala's Angel
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Page Last Updated 11 January 2003