Barsetshire and Palliser/Parliamentary Novels

In General

• Aitken, David. '"A Kind of Felicity": Some Notes about Trollope's Style', Nineteenth-Century Fiction, 20 (1966), pp. 337-54.
• Bareham, Tony, The Barsetshire Novels: A Casebook. London: The Macmillan Press, 1983. This compilation includes some of the best essays written on the series and on each of the six novels thus far, both in the 19th and 20th century, e.g., pieces by E. S. Dallas, R. H. Hutton, Henry James, and Leslie Stephen; A. O. J. Cockshut, 'Nothing Is Sentimentalised' (The Warden), Elizabeth Bowen, 'Suspense Without Mystery' (Dr Thorne), P. D. Edwards, 'Broadening the Boundaries of Barset' (Framley Parsonage.
• Biggs, Asa. "Trollope and Baghehot," Victorian People. New York: Harper and Row, 1955.
• Cadbury, William. 'Shape and Theme: Determinants of Trollope's Forms', PMLA, 78 (September 1982), pp. 326-32.
• Cohn, Dorrit. 'Narrated Monologue: Definition of a Fictional Style', Comparative Literature, 18 (1966), pp. 97-122.
• Dabney, Ross, 'Facing Facts, Losing Gracefully', Trollopiana, 42 (1998), pp. 4-18.
• Davies, Hugh Sykes. 'Trollope and His Style', Review of English Studies, 1 (1960), pp. 73-85.
• Durey, Jill Felicity. Trollope and the Church of England. Palgrave Macmillan, 2002.
• Hall, N. John. Trollope and His Illustrators. New York: St. Martin's Press, 1980. Hall discusses and reprints the illustrations for Framley Parsonage, The Small House at Allington, The Last Chronicle of Barset.
• Harvey, G. M. 'Heroes in Barsetshire', Dalhousie Review, 52 (1970), pp. 458-68.
• Heil, Elissa. The Conflicting Discourses of the Drawing-Room: Anthony Trollope and Edmond and Jules de Goncourt. Studies in Nineteenth-Century Literature, No. 7. New York: Peter Lang, 1997. Chapter Two, 'Victorian Barsetshire', pp. 27-50.
• Hennedy, Hugh L. Unity in Barsetshire. The Hague: Mouton, 1971.
• James, Henry. 'Anthony Trollope'. Henry James: Essays on Literature: American Writers, English Writers. New York: The Library of America, 1984, pp. 1330-54. First appeared in Century Magazine, July 1883, reprinted in Partial Portraits, 1888.
• Kahn, John E. 'The Protean narrator, and the case of Trollope's Barsetshire novels', Journal of Narrative Technique, 1980 (10), pp. 7-98.
• Kincaid, James. 'Anthony Trollope and the Unmannerly Novel' and 'The Power of Barchester Towers, Annoying the Victorians, New York and London: 1995.
• Markwick, Margaret, "The Diocese as Circus," Cahiers Victoriens et Édouardiens, No 58, "Studies in Anthony Trollope", Octobre 2003.
• Nardin, Jane. He Knew She Was Right: The Independent Woman in the Novels of Anthony Trollope. Carbondale: Southern Illinois University Press, 1989.
• Picton, Hervé, "Trollope and Tractarianism," Cahiers Victoriens et Édouardiens, No 58, "Studies in Anthony Trollope", Octobre 2003.
• Robbins, Frank E. 'Chronology and History in Trollope's Barset and Parliamentary Novels', Nineteenth-Century Fiction, 5 (1951), pp. 303-17. Now Nineteenth-Century Literature.
• Smithers, David Warren. 'The Barsetshire Doctors', Trollopiana, 39 (1997), pp. 17-22.
• Vann, J. Don. Victorian Novels in Serial. New York: Modern Language Association of America, 1985. This book includes detailed explanatory analysis of the divisions of many novels published during Trollope's era in their original instalment and book publications. For Trollope the reader will find the instalment and volumed publication of 34 of Trollope's novels from Framley Parsonage through to The Landleaguers, including all the novellas that were so published. This is an extremely useful book.
• Vincent, C. J. 'Trollope: A Victorian Augustan', Queen's Quarterly, 52 (1945), pp. 415-28.
• Wall, Stephen. 'Trollope, Balzac, and the Reappearing Character', Essays in Criticism, 25 (1975), pp. 123-44.
• -------------. Trollope: Living with Characters. New York: Henry Holt, 1988. Chapter Two: 'Reappearing Characters: Barsetshire Revisited', pp. 17-94.
• Weissman, Judith. '"Old Maids Have Friends": The Unmarried Heroine of Trollope's Barsetshire Novels"', Women and Literature, 5 (1977), pp. 15-25.

The Warden

• Bloom, Harold, ed. Anthony Trollope's Barchester Towers and The Warden: Modern Critical Interpretations. New York: Chelsea, 1988.
• Chadwick, Owen. 'Introduction' to The Warden, ed. Owen Chadwick. London: The Trollope Society, 1995.
• Gilead, Sarah. 'Trollope's Orphans: The Power of Adequate Performance', Texas Studies in Literature and Language, 27 (1985), pp. 86-105. Includes important analysis of Mr Harding and Lily Dale, and Lady Mason (from Orley Farm) as tragic patterns of figures whose withdrawal critiques 19th century society.
• Hawkins, Sherman. 'Mr Harding's Church Music', English Literary History, 29 (1962), pp. 202-23.
• Harvey, Geoffrey. 'Introduction' to Anthony Trollope, The Warden, ed. Geoffrey Harvey. Toronto, Canada: Broadview Press, 1999.
• Langford, Thomas A. 'Trollope's Satire in The Warden, Studies in the Novel, 19 (1987), pp. 435-47.
• Lyons, Paul. 'The morality of irony and unreliable narrative in Trollope's The Warden and Barchester Towers', South Atlantic Review, 54 (1989), pp. 41-54.
• Meckier, Jerome. 'The cant of reform: Trollope rewrites Dickens in The Warden', Studies in the Novels, 1983(15), pp. 202-23.
• Murfin, Ross C. 'The gap in Trollope's fiction: The Warden as an example', Studies in the Novel , 1982 (14), pp. 17-30.
• Sadleir, Michael. Anthony Trollope: A Commentary. London: pp. 164-69.
• Saldivar, Ramón. 'Trollope's The Warden and the Fiction of Realism', Journal of Narrative Technique, 11 (1981), pp. 166-83
• Skilton, David. 'Introduction to The Warden, ed. David Skilton. 1952; reprinted Oxford: Oxford University Press, 1980, pp. xi-xxii.
• John Sutherland, John, "Trollope, the Times, and The Warden," Victorian Journalism: Exotic and Domestic, edd. Barbara Garlick and Margaret Harris. The University of Queensland Press, 1998.

Barchester Towers

• Cadbury, William. 'Character and the Mock Heroic in Barchester Towers, Texas Studies in Language and Literature, 5 (1963-64), pp. 509-19.
• Gilmour, Robin. 'Introduction' with a Preface by John Kenneth Gilbraith, Barchester Towers. 1982 reprinted: New York: Penguin, 1994.
• Heil, Elissa. The Conflicting Discourses of the Drawing-Room: Anthony Trollope and Edmond and Jules de Goncourt. Studies in Nineteenth-Century Literature, No. 7. New York: Peter Lang, 1997. Chapter Three, 'Discourse Space in Barchester Towers, pp. 51-84.
• Kincaid, James. 'Introduction' to Barchester Towers, ed. Michael Sadleir and Frederick Page. 1952: reprinted Oxford: Oxford University Press, 1980.
• --------------. 'The Power of Barchester Towers', Annoying the Victorians. New York and London: Routledge, 1995.
• Knoepflmacher, U. C. ' Barchester Towers: The Comedy of Change', Laughter and Despair: Readings in Ten Victorian Novels. Los Angeles: University of California Press, 1971.
• Landland, Elizabeth. 'Society as formal protagonist: the examples of Nostromo and Barchester Towers, Critical Inquiry, 1982 (9), pp. 359-78.
• Lyons, Paul. 'The morality of irony and unreliable narrative in Trollope's The Warden and Barchester Towers', South Atlantic Review, 54 (1989), pp. 41-54.
• Miller, D. A. 'The novel as usual: Trollope's Barchester Towers, Sex, Politics and Science in the 19th Century. Baltimore: Johns Hopkins Press, 1986.
• Wiseman, Daniel. 'The Broken Basilisk', Trollopiana, 51 (2000), pp. 4-13.

Dr Thorne

• Bowen, Elizabeth, 'Introduction'. Dr Thorne. Boston: Houghton Mifflin, 1959.
• Fromonot, Jacqueline, "On the Right to Tell Lies from Benevolent Motives : Trollope's Contribution to the Debate in Dr Thorne, Cahiers Victoriens et Édouardiens, No 58, "Studies in Anthony Trollope", Octobre 2003.
• Melada, Ivan. 'Dr Thorne'. The Captains of Industry in English Fiction, 1821-72. Albuquerque: University of New Mexico Press, 1970, pp. 166-71.
• Skilton, David. 'Introduction' to Dr Thorne, ed. David Skilton. 1952; reprinted Oxford University Press, 1980.

Framley Parsonage

• Bicanic, Sonia. 'Some New Facts about the Beginning of Trollope's Framley Parsonage,' Studia Romantica Et Anglica Zagrabiensia, NOs 9-10 (December 1960), pp. 171-6.
• Hall, N. John. Trollope and His Illustrators. New York: St. Martin's Press, 1980. Hall discusses and reprints the illustrations for Framley Parsonage, The Small House at Allington, The Last Chronicle of Barset.
• Hamer, Mary. 'The Manuscript of Framley Parsonage', Writing by Number: Trollope's Serial Fiction. Cambridge: Cambridge University Press, 1987, pp. 57-68.
• Maunder, Andrew. 'Serial Reading', Trollopiana, 38 (1997), pp. 4-17.
• Skilton, David and Peter Miles. 'Introduction', Framley Parsonage. New York: Penguin, 1984. The text is that of the first serial instalment publication in Cornhill Magazine, from January 1860 to April 1861, and includes an essay on the differences between this first text and later ones.

The Small House at Allington

• Hamer, Mary. 'Orley Farm and The Small House at Allington, Writing by Number: Trollope's Serial Fiction. Cambridge: Cambridge University Press, 1987, pp. 87-113.
• Hall, N. John. Trollope and His Illustrators. New York: St. Martin's Press, 1980. Hall discusses and reprints the illustrations for Framley Parsonage, The Small House at Allington, The Last Chronicle of Barset.
• Kincaid, James. 'Introduction' to Anthony Trollope, The Small House at Allington, ed. James R. Kincaid. Oxford, 1989.
• MacDonald, Susan Peck. 'Variations on the Novel of Romance'. Anthony Trollope. Boston: Twayne, 1987, pp. 29-45.
• McMaster, Juliet. '"The Unfortunate Moth": Unifying Theme in The Small House at Allington', Nineteenth-Century Fiction, 26 (1970), pp. 127-44. Now Nineteenth-Century Literature
• Skilton, David. 'Introduction'. The Small House at Allington, ed. David Skilton. London: Everyman, 1999. The text is that of the original serial instalment publication in the Cornhill from 1 September 1862 until April 1864. The appendices include an essay of analysis and quotation from contemporary reviewers.

The Last Chronicle of Barsetshire

• Gilead, Sarah. 'Trollope's Orphans: The Power of Adequate Performance', Texas Studies in Literature and Language, 27 (1985), pp. 86-105. Includes important analysis of Mr Harding, Lily Dale, and Lady Mason (from Orley Farm) as tragic patterns of figures whose withdrawal critiques 19th century society.
• Hall, N. John. Trollope and His Illustrators. New York: St. Martin's Press, 1980. Hall discusses and reprints the illustrations for Framley Parsonage, The Small House at Allington, The Last Chronicle of Barset.
• Hamer, Mary. 'Working Diary for The Last Chronicle of Barset', Times Literary Supplement, 24 December, p. 1606.
• Harvey, Geoffrey. 'The Form of the Story: Trollope's The Last Chronicle of Barset', Texas Studies in Language and Literature, 18 (1975), pp. 82-97.
• Knox, R. A. 'A Ramble in Barsetshire', The London Mercury, 5 (1922), pp. 378-85.
• Overton, W. 'Trollope: An Interior View', Modern Language Review, 71 (1976), pp. 489-99. A brilliant analysis of Trollope's use of free indirect speech in his realisations of the characters of the Rev. Josiah and Mary Crawley.
• Thale, Jerome. 'The Problem of Structure in Trollope', Nineteenth- Century Fiction, 15 (1960), pp. 147-57.
• Trollope, Anthony The Noble Jilt and Did He Steal It?, introduced by Micahel Sadleir and Robert H. Taylor. New York: Arno Press, 1981.
• West, William A. 'The Last Chronicle of Barset: Trollope's Comic Techniques', The Classic British Novel, ed. Howard M. Harper Jr and Charles Edge. Athens: University of Georgia Press, 1972, pp. 121-42.

Sequels and Film Adaptations of the Barsetshire Novels

• Barchester Chronicles, TV Mini-series, directed by David Giles III, screenplay Alan Plater, 1984. Actors: Susan Hampshire as the Signora Madeline Neroni, Peter Blythe as Bertie Stanhope, Nigel Hawthorne as Archdeacon Grantly, Geraldine Ewan as Mrs Proudie, Derek New as Arabin, Janet Maw Eleanor Harding, Angela Pleasance Mrs Susan Grantly, Donald Pleasance as Rev Septimus Harding, Alan Rickman as Obadiah Slope.
• Knox, Ronald A. Barchester Pilgrimage. London: The Trollope Society, 1935. A sequel.
• Oliphant, Margaret. Carlingford Chronicles: The Rector, The Doctor's Family, The Perpetual Curate, Salem Chapel. 1863-66. Although there are further chronicles, these are the novels written in response to Trollope's: we move to the world of the dissenters
• Thirkell, Angela. Barchester Chronicles: High Rising, Demon in the House, Wild Strawberries, August Folly, The Brandons, Before Lunch, Cheerfulness Breaks In, Northbridge Rectory, Marling Hall, The Headmistress, Love Among the Ruines, County Chronicle, Summer Half, Pomfret Towers, Growing Up, Miss Bunting, Peace Breaks Out, Private Enterprise, Private Enterprise, Old Bank House, The Duke's Daughter, Happy Return, Jutland Cottage, Enter Sir Robert, What Did It Mean?, Double Affair, Love at All Ages, Three Score and Ten. 1931-59.
• Trollope, Joanna, writing as Caroline Harvey. Parson Harding's Daughter (this is the best of her books as Caroline Harvey). 1979.
• -----------------. The Choir, The Rector's Wife. 1988, 1991.

In General

• Aiken, David. '"A Kind of Felicity": Some Notes about Trollope's Style', Nineteenth-Century Fiction, 20 (1966), pp. 337-45.
• Boatright, Stephen. 'Anti-Semitism in the "Pallisers"', Trollopiana, 47 (1999), pp. 4-12.
• Biggs, Asa. "Trollope and Baghehot," Victorian People. New York: Harper and Row, 1955.
• Butte, George. 'A Review of James Kincaid's The Novels of Anthony Trollope, Victorian Studies, 21 (1977), pp. 518-21. This deal mostly with the Palliser books.
• -------------. 'Trollope's Duke of Omnium and "The Pain of History": A Study of the Novelist's Politics', Victorian Studies, 24 (1981), pp. 204-27.
• Cadbury, William. 'Shape and Theme: Determinants of Trollope's Forms', PMLA, 78 (September 1982), pp. 97-112.
• Chapman, R. W. 'Personal Names in Trollope's Political Novels', Essays Mainly on the Nineteenth-Century Presented to Sir Humphry Milford (Oxford, 1948), pp. 72-81.
• Chevalier, J. L. 'Women and Prudence in the Palliser Novels', Cahiers victoriens and edouardiens, 31 (1990), pp. 63-78.
• Cockshut, A. O. J. Anthony Trollope: A Critical Study (London, 1955), pp. 241-49.
• -----------------. 'Trollope's Liberalism', Anthony Trollope, ed. Tony Bareham. New Jersey: Barnes and Noble, 1980, pp. 161-81.
• Davies, Hugh Sykes. 'Trollope and His Style', Review of English Studies, 1 (1960), pp. 73-85.
• Denton, Ramona Lum. 'Female Selfhood in Anthony Trollope's Palliser Novels'. Ph.D. diss, University of Kentucky, 1977.
• Dinwiddy, J. R. 'Who's Who in Trollope's Political Novels', Nineteenth-Century Fiction, 22 (1967), pp. 31-47.
• Felber, Lynette. Gender and Genre in Novels without End: The British Roman-Fleuve. Gainesville, Florida, 1995.
• Hall, N. John. Trollope and His Illustrators. New York: St. Martin's Press, 1980. Hall discusses and reprints the illustrations for Can You Forgive Her?, Phineas Finn, and Phineas Redux.
• Halperin, John. Trollope and Politics. London, 1977.
• Hughs, R. 'Spontaneous Order and the politics of Anthony Trollope', Nineteenth-Century Fiction, 1986 (41), pp. 32-48.
• James, Henry. 'Anthony Trollope'. Henry James: Essays on Literature: American Writers, English Writers. New York: The Library of America, 1984, pp. 1330-54. First appeared in Century Magazine, July 1883, reprinted in Partial Portraits, 1888.
• Kincaid, James. 'Anthony Trollope and the Unmannerly Novel', Annoying the Victorians. New York and London: Routledge, 1995.
• Kleis, John Christopher. 'Passion vs Prudence: Theme and Technique in Trollope's Palliser Novels', Texas Studies in Language and Literature, 11 (1970), pp. 1404-14.
• Laski, Audrey L. 'Myths of Character: An Aspect of the Novel', Nineteenth-Century Fiction, 14 (1959-60), pp. 333-43. This is an excellent meditation on the character and development of Plantagenet Palliser, later Duke of Omnium across the series of the novels in the context of myths of heroism and virtue.
• Major, John. 'Quintus Slide Lives', Trollopiana, 41 (1998), pp. 19-22.
• Maunder, Andrew. 'Serial Reading', Trollopiana, 38 (1997), pp. 4-17.
• McMaster, Juliet. Trollope's Palliser Novels: Theme and Pattern. Oxford, 1978.
• Moody, Ellen. Trollope on the Net. London: Hambledon Press and the Trollope Society, 1999. Chapter Nine: Can You Forgive Her?: 'Trollope's Roman-Fleuve', pp. 201-220.
• Morse, Deborah Denenholz. Women in Trollope's Palliser Novels. Ann Arbor, Michigan, 1986.
• Nardin, Jane. He Knew She Was Right: The Independent Woman in the Novels of Anthony Trollope. Carbondale: Southern Illinois University Press, 1989.
• Pei, Lowry Cheng-W. 'Anthony Trollope's Palliser Novels: The Conquest of Separateness'. Ph.D. diss. Stanford University, 1975.
• Pollard, Arthur. Trollope's Political Novels. Hull, 1968.
• Robbins, Frank E. 'Chronology and History in Trollope's Barset and Parliamentary Novels', Nineteenth-Century Fiction, 5 (1951), pp. 303-17. Now Nineteenth-Century Literature.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth- Century Fiction, 6 (1952), pp. 247-68.
• Vann, J. Donn. Victorian Novels in Serial. New York: Modern Language Association of America, 1985. This book includes a detailed explanatory analysis of the divisions of many of the best- known novels of Trollope's era in their original instalment and volumed publications. For Trollope the reader will find the instalment and earliest volumed publication of 34 of his novels from Framley Parsonage, through to The Landleaguers, including all the novellas that were so published. This is an extremely useful book.
• Vernon, Patricia A. 'The Poor Fictionist's Conscience: Point of View in the Palliser Novels', Victorian Newsletter, Spring 1987, pp. 16-20.
• Vincent, C. J. 'Trollope: A Victorian Augustan', Queen's Quarterly, 52 (1945), pp. 415-28.
• Wall, Stephen. 'Trollope, Balzac, and the Reappearing Character', Essays in Criticism, 25 (1975), pp. 123-44.
• -------------. Trollope: Living with Characters. New York: Henry Holt, 1988. Chapter Two: 'Reappearing Characters: The Pallisers and Reappearance', pp. 95-229.
• Walton, Priscilla L. Patriarchal Desire and Victorian Discourse: A Lacanian Reading of Anthony Trollope's Palliser Novels. London, 1995.
• Watson, George. 'Trollope's Forms of Address', Critical Quarterly, 15 (1973), pp. 219-30.
• Wolfreys, Julian. "Reading Trollope: Whose Englishness Is It Anyway?", Dickens Studies Annual, 22 (1994):304-29.

Can You Forgive Her?

• Chamberlain, David. S. 'Unity and Irony in Trollope's Can You Forgive Her?, Studies in English Literature, 8 (1968), pp. 669-80.
• Flint, Kate. 'Introduction', Can You Forgive Her?, ed. Andrew Swarbick. Oxford: Oxford University Press, 19 , pp. xi-xxii.
• Hall, N. John. Trollope and His Illustrators. New York: St. Martin's Press, 1980. Hall discusses and reprints the illustrations for Can You Forgive Her?, Phineas Finn, and Phineas Redux.
• Hamer, Mary. 'Planning versus Discovery, Writing by Number: Trollope's Serial Fiction. Cambridge: Cambridge University Press, 1987, pp. 115-23.
• Hendricks, Susan E. 'Henry James as an Adapter: The Portrait of a Lady and Can You Forgive Her?, Rocky Mountain Review of Language and Literature, 38 (1984), pp. 35-43.
• Hoyt, Norris D. '"Can You Forgiven Her?": A Commentary', Trollopian, 2 (1947), pp. 57-70. Later renamed Nineteenth-Century Fiction and now Nineteenth-Century Literature.
• James, Henry. 'Can You Forgive Her? bby Anthony Trollope'. New York: Harper and Bros., 1865. In Henry James: Essays on Literature: American Writers, English Writers, pp. 1317-22. New York: The Library of America, 1984. First appeared in The Nation, September 28, 1965.
• Levine, George. 'Can You Forgive Him? Trollope's Can You Forgive Her? and the Myth of Realism', Victorian Studies, 18 (1974), pp. 5-30.
• MacDonald, Susan Peck. 'Variations on the Novel of Romance'. Anthony Trollope. Boston: Twayne, 1987, pp. 29-45.
• McMaster, Juliet. '"The Meaning of Words and the Nature of Things": Trollope's Can You Forgive Her?, 14 (1974), pp. 603-18.
• Moody, Ellen. Trollope on the Net. London: Hambledon Press and the Trollope Society, 1999. Chapter Nine: Can You Forgive Her?: 'Trollope's Roman-Fleuve', pp. 201-220.
• Trollope, Anthony. The Noble Jilt and Did He Steal It?, introduced by Michael Sadleir and Robert H. Taylor (New York, 1981).
• Wall, Stephen, 'Introduction' to Can You Forgive Her?, ed. Stephen Wall. Middlesex, England: Penguin English Library, 1972, pp. 7-29.

Phineas Finn

• Berthoud, Jacques. 'Introduction' to Phineas Finn, ed. Jacques Berthoud. Oxford: Oxford University Press, 1982.
• Bloomfield, Morton W. "Trollope's Use of Canadian History in Phineas Finn (1867-69)," Nineteenth-Century Fiction, 5:1 (1950), pp. 67-74.
• Dames, Nicholas. Trollope and the Career: Vocational Trajectories and the Management of Ambition. Victorian Studies 45 (Winter 2003): 247-278.
• Denton, Ramona L. '"That Cage" of Femininity: Trollope's Lady Laura', South Atlantic, 45 (1980), pp. 1-10.
• Dougherty, Jane Elizabeth. An Angel in the House: The Act of Union and Anthony Trollopes Irish Hero. Victorian Literature and Culture 32 (2004): 133-45.
• Epperly, Elizabeth R. 'From the Borderlands of Decency: Madame Max Goesler', Victorian Institute Journal, 15 (1978), pp. 25-35.
• Foster, R. F. Marginal Men and Micks on the Make: The Uses of Irish Exile, c. 1840-1922. Paddy & Mr Punch: Connections in Irish and English History. London: Penguin, 1995. 281-305.
• Hall, N. John. Trollope and His Illustrators. New York: St. Martin's Press, 1980. Hall discusses and reprints the illustrations for Can You Forgive Her?, Phineas Finn, and Phineas Redux.
• Lonergan, Patrick, "The Representation of Phineas Finn: Anthony Trollope's Palliser Series and Victorian Ireland, Victorian Literature and Culture, 32:1 (2004).
• McCourt, John. Domesticating the Other: Phineas Finn, Trollopes Patriotic Irishman. Rivista di Studi Vittoriani, 6 (2001): 39-63.
• Polhemus, Robert M. 'Being in Love in Phineas Finn/Phineas Redux: Desire, Devotion and Consolation', Nineteenth-Century Fiction, 37 (1982), pp. 383-95.
• Sutherland, John, 'Introduction'. Phineas Finn, the Irish Member, ed. John Sutherland. Middlesex, England: Penguin English Library, 1972, pp. 7-39. This edition also has an excellent note on the manuscript, commentary and quotation of Trollope's political creed from his An Autobiography_, and indicates the original divisions between the first publication as instalments in Saint Paul's Magazine, in which the novel appeared from October 1867 to May 1869, from which copies the text of this edition is taken.

The Eustace Diamonds

• Daly, Suzanne, "Indiscreet Jewels: The Eustace Diamonds," Nineteenth Century Studies, 19 (2005):69-82. Excellent article.
• Denton, Ramona L. 'The Eustace Diamonds: Trollope's Book of Odd Women', Kentucky Philological Association Bulletin, 1977, pp. 7-13.
• Gill, Stephen and John Sutherland. 'Introduction' to the Penguin Anthony Trollope, The Eustace Diamonds. Harmondsworth, England, 1969. A particularly fine essay.
• McCormack, W. J. 'Introduction'. The Eustace Diamonds , ed., introd. W. J. McCormack. Oxford: Oxford University Press, 1983. With illustrations by Blair Hugh-Stanton.
• Millet, Henry James Wye. 'The Eustace Diamonds and The Moonstone, Studies in Philology, 36 (1939), pp. 651-63.
• Ragussis, Michael. Figures of Conversion: 'The Jewish Question' and English National Identity. London, 1995, pp. 234-59. On the antisemitism in the book.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth- Century Fiction, 6 (1952), pp. 247-68.

Phineas Redux

• Denton, Ramona L. '"That Cage" of Femininity: Trollope's Lady Laura', South Atlantic, 45 (1980), pp. 1-10.
• Epperly, Elizabeth R. 'From the Borderlands of Decency: Madame Max Goesler', Victorian Institute Journal, 15 (1978), pp. 25-35.
• ---------------------. Patterns of Repetition in Trollope. Washington DC, 1989, pp. 111-41.
• Gilmour, Robin. 'Introduction'. Phineas Redux. London: The Trollope Society, 1960. This edition also contains the complete set of full-page original illustrations by Francis Montague Hull.
• Hall, N. John. Trollope and His Illustrators. New York: St. Martin's Press, 1980. Halls discusses and reprints the illustrations for Can You Forgive Her?, Phineas Finn, and Phineas Redux.
• Lyons, F. S. L. 'Introductoin'. Phineas Redux, ed. John C. Whale, notes and bibliography W. J. McCormack. Illustrations by T. L. B. Huskinson. Oxford: Oxford University Press, 1983. This edition includes in the appendices Trollope's Election Addresss at Beverly, 1868, and Gladstone's reply on the second reading of the Irish Church Bill.
• Polhemus, Robert M. 'Being in Love in Phineas Finn/Phineas Redux: Desire, Devotion and Consolation', Nineteenth-Century Fiction, 37 (1982), pp. 383-95.
• Ragussis, Michael. Figures of Conversion: 'The Jewish Question' and English National Identity. London, 1995, pp. 234-59. On the antisemitism in the book.
• Robinson, Clement Franklin. 'Trollope's Jury Trials', Nineteenth- Century Fiction, 6 (1952), pp. 247-68.

The Prime Minister

• Amery, L. S. 'Introduction' to The Prime Minister (Oxford, 1973), pp. v-xii. This essay denies the Palliser series are political novels.
• Bartrum, Barry A. 'A Victorian Political Hostess: The Engagement Book of Lady Stanley of Alderley', Princeton University Library Chronicle, 36 (1975), pp. 133-46.
• Briggs, Asa. 'Introduction'. The Prime Minister. London: The Trollope Society, 1991.
• Dellamora, Richard. Friendship's Bonds. Philadelphia: University of Pennsylvania Press, 2004. A chapter on Ferdinand Lopez as a gay man (connecting to sodomy).
• Hertz, Bertha Kevenson. 'Trollope's Racial Bias Against Disraeli', The Midester Quarterly, 22 (1981), pp. 374-91.
• Jaffe, Audrey. '"Trollope in the Stock Market: Irrational Exhuberance and The Prime Minister," in 'Victorian Investments,' a special number of Victorian Studies, 45, 1: (2002).
• Klinger, Helmut. 'Varieties of Failure: The Significance of Trollope's The Prime Minister', English Miscellany, 23 (1972), pp. 167-83.
• Skilton, David, 'Introduction' to The Prime Minister, ed. David Skilton. New York: Penguin, 1994, pp. ix-xxv. This edition follows the text for the first four volume edition by Chapman and Hall in May 1876.
• Tracy, Robert. Trollope's Later Novels. Berkeley, California, 1978, pp. 46-60. A diagrammatic analysis.
• McCormick, John. 'Introduction', The Prime Minister, ed. Jennifer Uglow. Oxford: Oxford University Press, 1983.

The Duke's Children

• Armanach, Steven, "The Uncut Manuscript Version of Trollope's The Duke's Children Compared to the Published Text," Ppaer and Lecture given at the Trollope Society Winter Party, Tuesday, February 24, 2004. His argument is that the original version is superior to The Duke's Children we know.
• Butt, George. 'Ambivalence and Affirmation in The Duke's Children, Studies in English Literature, 17 (1977), pp. 709-27.
• ------------. 'Trollope's Duke of Omnium and "The Pain of History": A Study of the Novelist's Politics', Victorian Studies, 24 (1981), pp. 204-27.
• Hagan, John H. 'The Duke's Children: Trollope's Psychological Masterpiece', Nineteenth-Century Fiction, 13 (1958), pp. 1-21.
• -------------. 'The Divided Mind of Anthony Trollope', Nineteenth- Century Fiction, 13 (1959), pp. 1-26.
• Halperin, John. 'Trollope, James, and the International Theme', The Yearbook of English Studies, 7 (1977), pp. 141-47.
• Kenney, Blair Gates. 'The Two Isabels: A Study in Distortion', Victorian Newsletter, 25 (1964), pp. 15-17.
• Lee, Hermione. 'Introduction' to The Duke's Children, ed. Hermione Lee. Oxford: Oxford University Press, 1983.
• Pei, Lowry. 'The Duke's Children: Reflection and Reconciliation', Modern Language Quarterly, 39 (1978), pp. 284-302.

Sequels to and Film Adaptations of the Palliser Novels

• The Pallisers. VHS and DVD, BBC Film Adaptation, 1974, re-released in 1999. Screenplay Simon Raven. Susan Hampshire as Lady Glencora Palliser and Philip Latham as Plantagenet Palliser.

[The novels are arranged in chronological order. I have included the dramatic versions of two of the novels directly after the citation of the available editions. The criteria for selection are textual edition, quality of introduction, notes, and bibliography, and if the original illustrations are included. Each of the Trollope Society editions has been reprinted by the Folio Society. The Folio Society provides piquant 20th century illustrations placed into the text in the manner of the original 19th century illustrations; they also sometimes have a different introductory essay.

There is still no complete scholarly edition of Trollope's novels. I list for the convenience of the reader those editions which are respectable or have some merit (based on a collation of good texts or a good text, having a solid scholarly-critical introduction and notes, containing a reprint of the original illustrations to the novel, having an introductory essay which is of interest for the critical commentary) known to me. I have included a description of the edition if the edition has something which makes it better than the the others on this list. If any reader who comes to this site knows of good editions not cited below, I would be very grateful for information on these, and after checking, would add the citation to the list below.]

• Trollope, Anthony. The Warden, ed., introd. Geoffrey Harvey, Geoffrey. Toronto, Canada: Broadview Press, 1999. With excellent appendices, critical material. For a description of a contemporary set of illustrations see http://www.JimandEllen.org/trollope/picture1.htm
• -----------------. The Warden, ed., introd. David Skilton. 1952; reprinted Oxford: Oxford University Press, 1980, pp. xi-xxii.
• -----------------. The Warden, ed., introd. Owen Chadwick. London: The Trollope Society, 1995.
• -----------------. Barchester Towers, ed. introd. Robin Gilmour, with a Preface by John Kenneth Gilbraith. 1982 reprinted: New York: Penguin, 1994.
• ------------------. Barchester Towers, ed. Michael Sadleir and Frederick Page, introd. James Kincaid. 1952: reprinted Oxford: Oxford University Press, 1980.
• ------------------. Barchester Towers, introd. Victoria Glendinning. London: The Trollope Society, 1995.
• ------------------. Dr Thorne, ed., introd. David Skilton. 1952; reprinted Oxford University Press, 1980. For a description of a contemporary set of illustrations see http://www.JimandEllen.org/trollope/picture1.htm
• ------------------. Dr Thorne, introd. P. D. James. London: The Trollope Society, 1996.
• ------------------. Framley Parsonage, ed., introd. David Skilton and Peter Miles. New York: Penguin, 1984. The text is that of the first serial instalment publication in Cornhill Magazine, from January 1860 to April 1861, and includes an essay on the differences between this first text and later ones. For a description of the four illustrations by John Everett Millais see http://www.JimandEllen.org/trollope/picture1.htm.
• -------------------. Framley Parsonage, introd. Antonia Fraser. London: The Trollope Society, 1996. This includes the original full illustrations by John Everett Millais.
• -------------------. The Small House at Allington, ed., introd. David Skilton. London: Everyman, 1999. The text is that of the original serial instalment publication in the Cornhill from 1 September 1862 until April 1864. The appendices include analysis and quotation from contemporary reviewers.
• -------------------. The Small House at Allington, introd. Margaret Markwick. London: The Trollope Society, 1997. This includes all the original full-page illustrations and a few of the vignettes (much reduced) by John Everett Millais. See http://www.JimandEllen.org/trollope/picture2.htm
• -------------------. The Last Chronicle of Barset, introd. Stephen Gill. 1932; reprinted with new notes Oxford: Oxford University Press, 1980.
• -------------------. The Last Chronicle of Barset, introd. A. N. Wilson. London: The Trollope Society, 1997. This edition only includes ten of the original 32 full-page and 32 vignette illustrations by G. H. Thomas. See http://www.JimandEllen.org/trollope/picture4.htm
• -------------------. Did He Steal It?, introd. Robert H. Taylor, together with The Noble Jilt, preface by Michael Sadleir. Foreword by Robert H. Taylor. New York: Arno Press, 1981. Originally published London: Constable, 1923; Princeton: Princeton University Press, 1952. This book includes the first rendition of Can You Forgive Her? as a play, and the story of its rejection; and his later attempt to put the material of The Last Chronicle of Barsetinto a dramatic form suitable for the stage.

• -----------------. Can You Forgive Her?, edd., introd. Hugh Osborne and David Skilton. Introductory and good critical material by Pauline Nestor. London: Everyman, 1994.
• Trollope, Anthony. Can You Forgive Her?, ed., introd. Stephen Wall. Middlesex, England: The New Penguin English Library, 1972.
• -----------------. Can You Forgive Her?, introd. David Skilton. London: The Trollope Society, 1989. This edition includes the complete original set of 40 illustrations, 20 by Hablôt Knight Browne ('Phiz') and 20 by Miss E. Taylor. For an annotated commentary of these illustrations see http://www.JimandEllen.org/trollope/picture2.htm
• -----------------. The Noble Jilt, preface by Michael Sadleir, together with Did He Steal It?, introd. Robert H. Taylor. Foreword by Robert H. Taylor. New York: Arno Press, 1981. Originally published London: Constable, 1923; Princeton: Princeton University Press, 1952. This book includes the first rendition of Can You Forgive Her? as a play, and the story of its rejection; and his later attempt to put the material of The Last Chronicle of Barsetinto a dramatic form suitable for the stage.
• -----------------. Phineas Finn, the Irish Member, ed., introd. John Sutherland. Middlesex, England: Penguin English Library, 1972, pp. 7-39. This edition also has an excellent note on the manuscript, commentary and quotation of Trollope's political creed from his An Autobiography_, and indicates the original divisions between the first publication as instalments in Saint Paul's Magazine, in which the novel appeared from October 1867 to May 1869, from which copies the text of this edition is taken.
• -----------------. Phineas Finn, the Irish Member , introd. Enoch Powell. London: The Trollope Society, 1989. This edition contains the complete set of full-page original illustrations by John Everett Millais.
• ------------------. The Eustace Diamonds, edd., introd. Stephen Gill and John Sutherland. Harmondsworth, England, 1969. A particularly fine essay and good notes.
• ------------------. The Eustace Diamonds , ed., introd. W. J. McCormack. Oxford: Oxford University Press, 1983. With illustrations by Blair Hugh-Stanton.
• ------------------. The Eustace Diamonds, introd. P. D. James. London: The Trollope Society, 1990.
• -------------------. Phineas Redux, introd. Robin Gilmour. London: The Trollope Society, 1960. This edition contains the complete set of full-page original illustrations by Francis Montague Hull. The introduction is excellent as is the note on the text.
• -------------------. Phineas Redux, ed. John C. Whale, introd. F. S. Lyons, notes and bibliography W. J. McCormack. Illustrations by T. L. B. Huskinson. Oxford: Oxford University Press, 1983. This edition includes in the appendices Trollope's Election Addresss at Beverly, 1868, and Gladston'es reply on the second reaidng of the Irish Church Bill.
• -------------------. The Prime Minister, ed. David Skilton. New York: Penguin, 1994, pp. ix-xxv. This edition follows the text for the first four volume edition by Chapman and Hall in May 1876.
• -------------------. The Prime Minister, introd. Asa Briggs. London: The Trollope Society, 1991.
• -------------------. The Duke's Children, ed., introd. Dinah Birch. London: Penguin, 1995.
• -------------------. The Duke's Children, introd. Roy Jenkins. London: The Trollope Society, 1991.