Conference Program
EC/ASECS 2010
Thursday, November 4
5:00–7:00 pm: Registration open, Conference Level
Foyer
5:45–7:00 pm
1.
Bibliography, Textual Studies, and Book History
Chair,
Rodney Mader (West Chester U of PA)
Room
A
- Lacy Marschalk (Auburn U), Reading Eliza Fay: Reception, Restoration, and Recovery,
1817–2010
- James May (Penn State DuBois), The Publication and Revision of Smollett’s
Continuation of the Complete History of England, 1760–1766
- Leah Orr (Penn State U), The Basis for Attribution in the Canon of Eliza Haywood
2.
Recovering Nature
Chair,
Linda Troost (Washington & Jefferson College)
Room
C
- Peter Perreten (Ursinus College), Recovery through Metaphor in Evelyn’s
Sylva
- Brian Glover (East Carolina U), Joseph and Thomas Warton and a Post-Natural
Religion
- Matthew Vickless (Duquesne U), Effusions of Nature: Sensibility and Visionary
Poetics in Yearsley’s Poems on Various Subjects
7:00 pm: Opening Reception, Room
B
8:00 pm: The Oral/Aural Experience
Organizer,
Peter Staffel (West Liberty U)
Room
A
- Royall Tyler’s The Contrast
(1787)
Friday, November 5
8:30–5:00 pm: Registration
open, Conference Level Foyer
8:00–9:00 am: Continental
Breakfast, Conference Level Foyer
9:00–noon, 1:00–4:45 pm
Book Exhibit, Room D
9:00–10:15 am
3.
“The Disaffected”: King George’s “Good” Americans
Chair,
Elizabeth Lambert (Gettysburg College)
Room
A
- James P. Myers, Jr (Gettysburg College), Homeland Security in the Pennsylvania
Backcountry, 1777: The Example of the Rev. Mr. Daniel Batwelle, S.P.G.
- Rodney Mader (West Chester U of PA), Elizabeth Graeme Fergusson and the Question
of Loyalism
- Doreen Saar (Drexel U), Crevecoeur and the Political Farmer
- Scott Paul Gordon (Lehigh U), Collateral Damage: Pacifist Moravians Battle Charges
of “Tory”
4.
The Spectacle of Roguish Masculinity
Chair,
Jason Vanfosson (Duquesne U)
Room
B
- Suzanne Cook (Duquesne U), Recovering the Rake in Arthur Murphy’s The Way to Keep Him
- Melissa Wehler (Duquesne U), The Haunted Libertine: Edmund Kean’s American Tour
- Suzanne Tartamella (Gettysburg College), Much Ado about Feminists and Rakes: Beatrice and
Benedick in Aphra Behn’s The Rover
- Clorinda Donato (California State U-Long Beach), The Spy, the Antiquarian, and the Flamboyant
Rogue: Philip von Stosch in Grand Tour Italy
5.
Authoring, Self-Fashioning, and National Identity
Chair,
Thora Brylowe (U of Pittsburgh-Oakland)
Room
C
- Ashley Marshall (Johns Hopkins U), Did Defoe Write Moll Flanders and Roxana?
- D. J. Schuldt (Carnegie-Mellon U), Authoring Dissent: Transmission and Appropriation
of Religious Dissent and Republicanism
- Barbara Benedict (Trinity College), Sloane’s Ranges: Sir Hans Sloane and
the Reputation of Eighteenth-Century Collecting
10:15–10:45 am: Second
Breakfast, Conference Level Foyer
10:45–noon
6.
Visual Arts
Chair,
Marie Wellington (U of Mary Washington)
Room
A
- Mark Magleby (Brigham Young U), The Mount of Diana at Stourhead
- Sandro Jung (Ghent U), Thomas Stothard’s Visual Interpretation and the Cultural Consumption
of Thomson’s The Seasons
- Deborah Varat (Southern New Hampshire U), Family Life Writ Small: The Eighteenth-Century
English Dollhouse
- Raymond Tumbleson (Kutztown U of PA), Isabella Thorpe as Ophelia: Sexing up Northanger Abbey
7.
Suspenseful Strategies Across Genres
Chair,
Martha Koehler (U of Pittsburgh-Greensburg)
Room
B
- Joshua Gass (The Ohio SU), Suspense and Trash Fiction
- Martha Koehler (U of Pittsburgh-Greensburg), Suspense in Sir Charles Grandison
- John Radner (George Mason U), “He never did anything that was beyond the limits of
decency”: Revealing and Concealing, Recovering and Discovering, Guessing and Inventing Johnson’s Secret Sex Life
8.
Roundtable: Recovering Families
Chair,
Laura Engel (Duquesne U)
Room
C
- Marilyn Francus (West Virginia U); Scott Krawczyk (US Military Academy); Caroline Breashears
(St Lawrence U); Nicole Wright (Yale U); Jeffrey Stoyanoff (Duquesne U)
12:00 noon: Buffet Lunch, Frick Room
12:40 pm: EC/ASECS Executive Board Meeting, Troost-Greenfield suite (see registration
table for room number)
1:30–2:45 pm
9.
Roundtable: Research in Progress
Chair,
Jim May (Penn State U-DuBois)
Room
A
- Joseph Rudman (Carnegie-Mellon U), The Non-Traditional Authorship Attribution
Case for The Federalist Revisited
- Jordan Howell (U of Delaware), Eighteenth-Century Abridgment and Robinson Crusoe
- Katharine Kittredge (Ithaca College), Early Blossoms of Genius: Child Poets
at the End of the Long Eighteenth Century
- Theodore E. D. Braun (U of Delaware), A Letter to Voltaire Restored
10. Recovering
Crime
Chair,
Lisa Rosner (Stockton College)
Room
B
- Frank Parks (Frostburg SU), Interview and Invent: Crime Reporting of the 1720s
- Joshua Gass (The Ohio SU), Generic Destabilization and Criminality in the Early
English Novel
- Nicole Wright (Yale U), “G—d, I have gude cause to remember her!”:
Walter Scott’s Amnesiac Characters, Crime, and the Problem of Narrating the Forgotten
11. Recovering
Reputations 1
Chair,
Linda Troost (Washington & Jefferson College)
Room
C
- Michael DuPuis (U of Pittsburgh-Oakland), The Emergence of the American College
President
- Jack Fruchtman (Towson U), Recovering Aaron Burr: Rescuing the Reputation of
a Villain
- Madhuchhanda Ray Choudhury (Duquesne U), Heroic or Human: The Dilemma of Historical
Recovery in Joanna Baillie’s Metrical Legends
- Temma Berg (Gettysburg College), Taking The Baltick Merchant: At Sea through
the Archives
2:45–3:15 pm: Refreshment
Break, Conference Level Foyer
3:15–4:30 pm
12. Roundtable:
Recovering the “Performed” Eighteenth Century
Chair,
Emily Friedman (Auburn U)
Room
A
- Laura Engel (Duquesne U); Jeffrey M. Leichman (Sarah Lawrence College); Kristina
Straub (Carnegie-Mellon U)
13. War
and Recovery
Chair,
Ildiko Csengei (Cambridge U)
Room
B
- Ildiko Csengei (Cambridge U), James Tilly Matthews and the War Machine
- Timothy Ruppert (Slippery Rock U of PA), Louisa Stuart Costello and the Fall
of Napoleon
- Scott Krawczyk (US Military Academy), Messengers of Death: Broken Soldiers and
Next-of-Kin Notification
14. Recovering
Reputations 2
Chair,
Linda Troost (Washington & Jefferson College)
Room
C
- Henry Fulton (Central Michigan U), The Reputation of Dr. John Moore (1729–1802):
Reflections on Loss and Recovery
- David Wallace Spielman (Penn State U), Ralph Cohen on Criticism and James Thomson
- Corey Andrews (Youngstown State U), “The Honour of Our Isle?”: Women
Poets on Robert Burns, 1792–1803
- Anna Foy (U of Pennsylvania), “To flatter Knaves or lose his Pension”:
Edward Young and the Limitations of Biographical Taxonomy
4:45–6:00 pm: Plenary Address
Chair,
Sayre Greenfield (U of Pittsburgh-Greensburg)
Room
A
David A. Brewer (The Ohio State University)
The Literary Uses of Authorial Names
6:00–8:00 pm: Reception, Frick Room
Saturday November 6
8:30–noon: Registration
open, Conference Level Foyer
8:00–9:00 am: Continental
Breakfast, Conference Level Foyer
9:00–noon, 1:30–4:45 pm: Book Exhibit, Conference Level Room D
9:00–10:15 am
15. The
Gothic as Trauma and Recovery
Chair,
Ellen Moody (George Mason U)
Room
A
- Ellen Moody (George Mason U), “People that marry can never part”:
Real and Romantic Gothicism in Northanger Abbey
- Ellen Malenas Ledoux (Rutgers U-Camden), A Castle of One’s Own: Gothic
Space and Female Agency in Emmeline, The
Mysteries of Udolpho, and Secresy
- Jade Higa (Duquesne U), “Wallace Wight”: Unearthing Scottish Nationalism
through the Gothic Ballad in Ballie’s Metrical Legends
16. Rethinking
Literary History
Chair,
Sayre Greenfield (U of Pittsburgh-Greensburg)
Room
B
- Peter M. Briggs (Bryn Mawr College), The Turn Toward Oral Sources for Poetry
in the 1760s
- Jonathan Pritchard (Penn State U), The Polite World of the Smithfield Muses
- Robert D. Hume (Penn State U), The Print Culture Contexts of the English Novel,
1660–1750
17. Binaries
and Pairings to Re-Cover Scottish National Identity in the Works of Defoe, Austen and Ferrier
Chair,
Beverly Schneller (Millersville U of PA)
Room
C
- Ja Yun Choi (Rutgers U-New Brunswick), The Difficulties of Narrating a Unified
Nation in Defoe’s Tour thro’ the Whole Island of Great Britain
- Morgan Strawn (U of Wisconsin-Madison), “Zealous for their own Way of
Worship”: Scotland and Religious Toleration in Daniel Defoe’s Memoirs of
a Cavalier
- Teri Doerksen (Mansfield U of PA), Out of Place: From Class to National Identity
in Jane Austen’s Mansfield Park and Susan Edmunstone Ferrier’s Marriage
10:15–10:45 am: Second
Breakfast, Conference Level Foyer
10:45 am–noon
18. Recovery in the Writings of Daniel Defoe
Chair,
Geoffrey Sill (Rutgers U-Camden)
Room
A
- John Richetti (U of Pennsylvania), Second (and Third) Chances for Defoe’s
Fictional Protagonists: Recovery and Realism
- Kate Levin (Barnard College), Putting Moll in a New Dress: Recovering Defoe’s
Moll Flanders
- Robert Griffin (Texas A&M), Did Defoe Write Roxana? Does it Matter?
- Jesse Edwards (Manchester Metropolitan U), Atlas
Maritimus & Commercialis: What it is, Why it’s by Defoe, and Why this
Matters
19. Recovering
Bodies in the Eighteenth Century
Chair,
Loring Pfeiffer (U of Pittsburgh-Oakland)
Room
B
- Joanne Myers (Gettysburg College), Enlightenment Embodiment: Body in Astell
and Berkeley
- Kate Parker (Washington U-St Louis), The Heaving Bosoms of Thomson’s Spring
- Julie Beaulieu (U of Pittsburgh-Oakland), A Fervent Endorsement
of Sensibility: Cleland’s Fanny Hill and the Benefits of Sensible Pleasure
- John Savarese (Rutgers U-New Brunswick), Macpherson’s Ossian and the Embodied Mind
20. Sympathy
and Satire 1
Chair,
Jean-Marc Kehres (Trinity College)
Room
C
- Patricia Gael (Penn State U), The Importance of Satire in William Congreve’s
Comedies
- Lorraine Eadie (Berry College), Recovering Religious Implications in The Spectator
- Michael Genovese (U of Virginia), Bankruptcy and Plague: Recovering the Value
of Sympathy in Defoe
12:00 noon: Business Lunch, Frick Room
Chair,
Linda Merians, executive secretary
1:00 pm: EC/ASECS Presidential Address, Frick Room
Linda Troost (Washington & Jefferson College)
The Undead Eighteenth Century
2:00–3:00 pm
21. Roundtable:
Teaching the Eighteenth Century without Technology
Chair,
Sayre Greenfield (U of Pittsburgh-Greensburg)
Room
B
- Logan Connors (Bucknell U), Dramatic Criticism in Drama Courses
- Jack Fruchtman (Towson U), What is a Constitution?
- Sonia Kane (Hunter College-CUNY), In-Class Presentations Using the OED to Foster Close Readings
22. On
the Road
Chair, Laura Kennelly (Baldwin-Wallace
College/ Riemenschneider Bach Institute)
Room
C
- Brijraj Singh (Hostos CC-CUNY), Two Eighteenth-Century South Indian Priests
Go to Europe
- Norbert Puszkar (Austin Peay State U), Seume’s Walk to Syracuse in the Year 1802: Recovery and Coverage of History
3:00–3:15 pm: Break
3:15–4:30 pm
23. Theatrical
Influences: Narrative Performances and Performativity
Chair,
Terra Caputo (Allegheny College)
Room
A
- Logan Connors (Bucknell U), Anecdotes, Mistakes, and Performances: Defining
Dramatic Criticism in Pre-Revolutionary France
- Terra Caputo (Allegheny College), Performative Narrativity: Restoration Comedy
and the Early Eighteenth-Century Novel
- Katharine Kittredge (Ithaca College), Dragging from Stage to Page: The Infant
Craze and the Child Poet Boom in the Late Eighteenth Century
- Emily Friedman (Auburn U), Text, Playtext, Promptbook: The Intersecting Lives
of Scott’s Guy Mannering
24. Jonathan
Swift
Chair,
Donald Mell (U of Delaware)
Room
B
- Gene Hammond (SUNY-Stony Brook), Using Swift’s Examiner Essays to Solve Key Interpretive Questions
- Kelly Centrelli (Queens College-CUNY), “But to Return to Madness”:
The Rhetoric of Madness in Swift’s Tale of a Tub
- Patrice Smith (Harrisburg Area CC-Gettysburg Campus/ McDaniel College), The
Swift-Ecclin “Cantata”
25. Theory
and Textual Practice
Chair,
Elisa Beshero-Bondar (U of Pittsburgh-Greensburg)
Room
C
- Jan Stahl (Borough of Manhattan CC-CUNY), “I am watched very narrowly”:
Writing and the Power of the Gaze in Richardson’s Pamela
- Jason Vanfosson (Duquesne U), “I know resentment may to love be turn’d”:
Uncovering Terrorism and Recovering Queerness in Baillie’s De Monfort
- Maureen Gallagher (Duquesne U), The Temptation to Look Away: The Textual Erasure
of the Traumatized Fallen Woman in Austen’s Sense and Sensibility
4:30–4:45 pm: Break
4:45–6:00 pm
26. Consumption
and Commodification
Chair,
Elisa Beshero-Bondar (U of Pittsburgh-Greensburg)
Room
A
- Lin A. Nulman (U of New Hampshire), “Let this present shew who ’tis
that Reigns Triumphant”: Women and Objects in Cibber and Centlivre
- Nicole Reynolds (Ohio U) The Commodification of Suicide in Eighteenth-Century
Britain
- Devjani Roy (U of Kentucky), “Thou Proteus!”: The Performance of
Forgery in Georgiana Cavendish’s The Sylph
- Lisa M. Wilson (SUNY-Potsdam), Joshua Reynolds’s Portraits of Mary Robinson:
Production, Circulation, Reception
27. Sympathy
and Satire 2
Chair,
Jean-Marc Kehres (Trinity College)
Room
B
- Mark Malin (Randolph-Macon College), Passion, Virtue, and Subversion in the
Anonymous Epistolary Novel Rodrigo y Paulina
- Julian Fung (Penn State U), Frances Burney as Satirist
- Thomas Kinnahan (Duquesne U), War and the Recovery of Puritan Virtue in Timothy
Dwight’s Greenfield Hill
- Sonia Kane (Hunter College-CUNY), “His Heart was not susceptible”:
Unfeeling Husbands in Scott’s Millenium Hall
28.
Roundtable: Reading/Reciting Eighteenth-Century Verse: The Pedagogical and Interpretive Value of Performing—Reading
Aloud or Reciting from Memory—English Poetry
Chair,
John Richetti (University of Pennsylvania)
Room
C
- Brijraj Singh (Hostos CC-CUNY); Patrice Smith (Harrisburg Area CC-Gettysburg
Campus/McDaniel College); Rivka Swenson (Virginia Commonweath U); John Richetti (U of Pennsylvania)
6:15 pm: Graduate Student Get-Together
Organizer:
Kate Parker (Washington U-St Louis)
Meet
in the Conference Level Foyer (own expense)
END